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The Genius of Christianity : ウィキペディア英語版 | The Genius of Christianity
''The Genius of Christianity'' (French: ''Génie du christianisme'') is a work by the French author François-René de Chateaubriand, written during his exile in England in the 1790s as a defense of the Catholic faith, then under attack during the French Revolution. It was first published in France in 1802, after Chateaubriand had taken advantage of the amnesty Napoleon issued to émigrés, which had allowed him to return to his home country in 1800. Napoleon, who had just signed the Concordat with the pope, initially made use of Chateaubriand's book as propaganda to win support among French Catholics. Within five years, he had quarrelled with the author and sent him into internal exile. In ''The Genius of Christianity'', Chateaubriand defends the wisdom and beauty of Christianity against the attacks on it by French Enlightenment philosophers and revolutionary politicians. The book had an immense influence on nineteenth century culture and not just on religious life. In fact, it might be said its greatest impact was on art and literature: it was a major inspiration for the Romantic movement. ==Work==
The book emerged from Chateaubriand's attempt to understand the causes of the French Revolution, which had led to the death of many of his friends and family members. Some time in the late 1790s, Chateaubriand had reverted to the Catholic faith of his childhood. He felt that France had lost its way during the Enlightenment period, when leading intellectuals such as Voltaire had been hostile to traditional religion. In this work, Chateaubriand aims to prove that "Christianity comes from God, because it is excellent". With this objective in mind, he is particularly interested in the artistic contributions of the Christian religion, comparing them with ancient and pagan civilizations . The principal theme of the book is that "only Christianity is able to explain progress in arts and letters". Chateaubriand accuses the writers of the eighteenth century of misunderstanding God. He makes an exception for Jean-Jacques Rousseau, who had "a shadow of religion". So, for Chateaubriand, Voltaire is an inferior playwright to Racine because Voltaire was not a Christian.
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